Category: Independent Film
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Sound of Falling Review: Mascha Schilinski’s Haunting Portrait of Women, Memory, and Witnessing
Mascha Schilinski’s The Sound of Falling is a haunting, non-linear meditation on women, memory, and the quiet violence of witnessing. Spanning generations within the same farmhouse, the film examines curiosity, abuse, and identity through fragmented vignettes that echo across time. It’s a work that lingers—less something to solve than something to feel.
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Dead Man’s Wire Review: Gus Van Sant’s Tense True-Crime Reckoning With Capitalism
Gus Van Sant’s Dead Man’s Wire revisits a bizarre 1970s hostage crisis to interrogate desperation, capitalism, and media spectacle. Anchored by a career-best performance from Bill Skarsgård, the film refuses easy moral answers, instead asking whether its central figure was insane—or simply pushed there by a system designed to break him.
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Top 30 Films of 2025: A Year Defined by Risk, Reckoning, and Reinvention
A personal ranking of the 30 films that defined my 2025 — shaped by risk-taking, reinvention, and moral reckoning. From intimate character studies to bold genre experiments, these are the films that lingered, challenged expectations, and revealed where cinema felt most alive this year.
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The Chronology of Water Review: Kristen Stewart’s Raw, Unfiltered Portrait of Trauma and Survival
Kristen Stewart’s feature directorial debut, adapted from Lidia Yuknavitch’s 2011 memoir, is a raw and uncompromising portrait of trauma, memory, and survival. The Chronology of Water follows Lidia, a competitive swimmer navigating abuse, fractured memories, and the complicated process of reclaiming autonomy through writing. Anchored by a career-defining performance from Imogen Poots, Stewart’s adaptation embraces…
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The 25 Best Horror Films of 2025 — Ranked
Fear, flesh, and feeling collide in 2025’s most unforgettable horror films. From intimate character studies to blood-soaked spectacles, this year’s genre offerings pushed boundaries, challenged expectations, and proved once again why horror remains one of cinema’s most vital storytelling spaces. Here are my 25 favorite horror films of 2025 — ranked, reflected on, and celebrated…
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The Year of Relationships: 2025 Movies That Get Love Right (and Wrong)
Where do we, as a society, currently stand when it comes to relationships? Dating? Commitment? The landscape has shifted so dramatically that it sometimes feels like we’re living in an entirely new emotional era. The openness of relationships has expanded far beyond where it once was—breaking away from antiquated, traditional notions and allowing people to…
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Arco Is a Future You Want to Get Lost In — Here’s Why
Release Date: limited U.S. release November 14, 2025 (Neon) Runtime: 89 minutes (1h 29m) Rated: PG Production Companies: Remembers, MountainA, France 3 Cinéma, Fit Via Vi Film Productions, Sons of Rigor Producers: Félix de Givry, Sophie Mas, Natalie Portman, Ugo (Ugo/Ugo Bienvenu) Bienvenu (producer credits) Animation/Visual leads: Adam Sillard (animation lead) and Fabio Besse (production design)…
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Sirāt Is the Bad-Feel Movie of the Year — And It Hurts to Look Away
Release Date: November 14, 2025 (U.S. Release) Runtime: 115 minutes (1h 55m) Rated: R Production Companies: Los Desertores Films AIE, Telefónica Audiovisual Digital, Filmes da Ermida, El Deseo, Uri Films, 4A4 Productions Producers: Domingo Corral, Óliver Laxe, Xavi Font, Pedro Almodóvar, Agustín Almodóvar, Esther García, Oriol Maymó, Mani Mortazavi, Andrea Queralt Cinematography: Mauro Herce Editing: Cristóbal…
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It Was Just an Accident: Jafar Panahi’s Defiant Masterwork of Vengeance and Forgiveness
Release Date: US theatrical release began Oct 15, 2025 Runtime: 104 minutes (1h 44m) Rated: PG-13 — violence, smoking, thematic elements, strong language Production Companies: Jafar Panahi Productions, Les Films Pelléas, Bidibul Productions, Pio & Co, Arte France Cinéma Producers: Jafar Panahi, Philippe Martin Cinematography: Amin Jafari Editing: Amir Etminan Music / Composer: Abdorreza Heidari It…
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Terror Through the Lens: 2025’s Most Ambitious Found Footage Films
Since its horror inception with a film like Cannibal Holocaust (1980), the found footage genre has long found a welcoming and supportive home within horror itself. From there, we can trace clever and tactical marketing strategies that paved the way for The Blair Witch Project (1999), whose success relied on the persuasive and deceiving nature…