Category: Comedy
-
Good Luck, Have Fun, Don’t Die Review: Gore Verbinski’s Bold AI Satire Is His Most Urgent Film in Years
Gore Verbinski returns to live action with Good Luck, Have Fun, Don’t Die, a dark comedy that feels less like science fiction and more like a warning. Starring Sam Rockwell, this AI satire explores tech addiction, youth alienation, and the fragile future of human connection — just in time for its theatrical release.
-
Nirvanna the Band – the Show – the Movie Review: A Time-Traveling Cult Comedy About Friendship, Failure, and Creative Ambition
Matt Johnson and Jay McCarrol bring their long-running cult comedy to the big screen with Nirvanna the Band – The Show – The Movie, an inventive time-travel mockumentary that blends archival footage, absurd humor, and a surprisingly heartfelt exploration of friendship, ambition, and creative stagnation.
-
Send Help Review: Sam Raimi Turns Workplace Toxicity Into Savage Survival Horror
What begins as a familiar corporate nightmare quickly mutates into something far more vicious. In Send Help, Sam Raimi transforms workplace toxicity, inherited power, and gendered labor into a brutal survival horror, where hierarchy collapses the moment it can no longer be performed. With Rachel McAdams and Dylan O’Brien locked in a razor-sharp power struggle,…
-
Top 30 Films of 2025: A Year Defined by Risk, Reckoning, and Reinvention
A personal ranking of the 30 films that defined my 2025 — shaped by risk-taking, reinvention, and moral reckoning. From intimate character studies to bold genre experiments, these are the films that lingered, challenged expectations, and revealed where cinema felt most alive this year.
-
Father Mother Sister Brother Review: Jim Jarmusch’s Quiet, Universal Meditation on Family
In Father Mother Sister Brother, Jim Jarmusch delivers a quiet, triptych meditation on family, connection, and the emotions that live beneath polite conversation. Told across three loosely linked vignettes, the film favors gesture, silence, and body language over overt dialogue, allowing meaning to surface gradually. With understated performances and carefully choreographed framing, Jarmusch explores family…
-
The Year of Relationships: 2025 Movies That Get Love Right (and Wrong)
Where do we, as a society, currently stand when it comes to relationships? Dating? Commitment? The landscape has shifted so dramatically that it sometimes feels like we’re living in an entirely new emotional era. The openness of relationships has expanded far beyond where it once was—breaking away from antiquated, traditional notions and allowing people to…
-
“Sentimental Value”: Joachim Trier’s Most Tender Exploration of Family, Art, and Memory
Release Date: November 7, 2025 (Limited) Runtime: 133 minutes (2h 14m) Rated: R — some language, a sexual reference, and brief nudity Production Companies: Mer Film, Eye Eye Pictures, MK Productions, BBC Film, Lumen Production, Komplizen Film, Zentropa, Zentropa Sweden, Film i Väst, Alaz Film Producers: Maria Ekerhovd, Andrea Berentsen Ottmar Cinematography: Kasper Tuxen Editing: Olivier…
-
It Was Just an Accident: Jafar Panahi’s Defiant Masterwork of Vengeance and Forgiveness
Release Date: US theatrical release began Oct 15, 2025 Runtime: 104 minutes (1h 44m) Rated: PG-13 — violence, smoking, thematic elements, strong language Production Companies: Jafar Panahi Productions, Les Films Pelléas, Bidibul Productions, Pio & Co, Arte France Cinéma Producers: Jafar Panahi, Philippe Martin Cinematography: Amin Jafari Editing: Amir Etminan Music / Composer: Abdorreza Heidari It…
-
Bugonia (2025) Review — Emma Stone and Jesse Plemons in a Sharp, Sinister Tale of Control & Collapse
Release Date: US theatrical release began Oct 24, 2025 Runtime: 118 minutes (1h 58m) Rated: R — violence, grisly images, suicide content, language Production Companies: Element Pictures, Focus Features, Square Peg, Fruit Tree, CJ ENM Producers: Ed Guiney, Andrew Lowe, Yorgos Lanthimos, Emma Stone, Ari Aster Cinematography: Robbie Ryan (VistaVision / 8-perf 35mm heavily used) Editing:…
-
“If I Had Legs I’d Kick You” Review: A Raw, Relentless Portrait of Motherhood’s Breaking Point
Release Date: October 10, 2025 (United States theatrical) (Premiere: January 24, 2025 at Sundance) Runtime: 133 minutes (1 hr 53 min) Rated: R — for language, some drug use and bloody images. Production Companies: A24, Central Pictures, Fat City, also credited: Bronxburgh; Elara Pictures Producers: Sara Murphy, Ryan Zacarias, Ronald Bronstein, Josh Safdie, Eli Bush, Conor…