Category: Comedy
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Buddy Review: Inside Casper Kelly’s Bloody Takedown of ’90s Kids’ TV
Casper Kelly’s feature debut, Buddy, uses the sugary aesthetic of ’90s kids’ TV — think Barney & Friends by way of analog horror — to tell a much darker story about what happens to children on sets run by people who hold all the power. Behind the felt puppets and primary colors is a pointed,…
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The Invite and I Want Your Sex: Olivia Wilde’s Year of Wanting
Olivia Wilde is having one of the most interesting years of any actor in 2026 — not because of box office numbers, but because of range. In The Invite, which she also directs, Wilde plays a sexually starved wife whose marriage cracks open the night her upstairs neighbors come to dinner. In I Want Your…
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Boots Riley Is Back — and I Love Boosters Might Be His Best Film Yet
Nearly eight years after Sorry to Bother You, Boots Riley returns with a surrealist heist comedy that smuggles Marxist theory inside one of the most visually electric films of the year. Keke Palmer leads. Demi Moore villains. The fashion is immaculate. The politics are sharper.
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Parallel Tales: How “The Drama” and “Our Hero, Balthazar” Use Dark Comedy to Confront America’s Gun Violence Crisis
In the same season, two films independently chose America’s gun violence epidemic as their narrative catalyst — one a dark romantic comedy starring Zendaya and Robert Pattinson, the other a debut feature about performative activism and male loneliness. “The Drama” and “Our Hero, Balthazar” couldn’t be more different in tone and approach, yet together they…
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5 Film Reviews: From Indie Drama to Horror Chaos and Blockbuster Spectacle
A quick catch-up on five recent films spanning indie drama, documentary storytelling, horror spectacle, and blockbuster franchise filmmaking. From intimate character studies to chaotic genre thrills and nostalgic IP-driven entertainment, this roundup explores the range of tones and styles shaping today’s cinematic landscape.
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Good Luck, Have Fun, Don’t Die Review: Gore Verbinski’s Bold AI Satire Is His Most Urgent Film in Years
Gore Verbinski returns to live action with Good Luck, Have Fun, Don’t Die, a dark comedy that feels less like science fiction and more like a warning. Starring Sam Rockwell, this AI satire explores tech addiction, youth alienation, and the fragile future of human connection — just in time for its theatrical release.
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Nirvanna the Band – the Show – the Movie Review: A Time-Traveling Cult Comedy About Friendship, Failure, and Creative Ambition
Matt Johnson and Jay McCarrol bring their long-running cult comedy to the big screen with Nirvanna the Band – The Show – The Movie, an inventive time-travel mockumentary that blends archival footage, absurd humor, and a surprisingly heartfelt exploration of friendship, ambition, and creative stagnation.
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Send Help Review: Sam Raimi Turns Workplace Toxicity Into Savage Survival Horror
What begins as a familiar corporate nightmare quickly mutates into something far more vicious. In Send Help, Sam Raimi transforms workplace toxicity, inherited power, and gendered labor into a brutal survival horror, where hierarchy collapses the moment it can no longer be performed. With Rachel McAdams and Dylan O’Brien locked in a razor-sharp power struggle,…
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Top 30 Films of 2025: A Year Defined by Risk, Reckoning, and Reinvention
A personal ranking of the 30 films that defined my 2025 — shaped by risk-taking, reinvention, and moral reckoning. From intimate character studies to bold genre experiments, these are the films that lingered, challenged expectations, and revealed where cinema felt most alive this year.
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Father Mother Sister Brother Review: Jim Jarmusch’s Quiet, Universal Meditation on Family
In Father Mother Sister Brother, Jim Jarmusch delivers a quiet, triptych meditation on family, connection, and the emotions that live beneath polite conversation. Told across three loosely linked vignettes, the film favors gesture, silence, and body language over overt dialogue, allowing meaning to surface gradually. With understated performances and carefully choreographed framing, Jarmusch explores family…