Category: Sci-Fi
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The End of Oak Street Review: A Family Drama With Teeth (and Claws)
David Robert Mitchell’s “The End of Oak Street” markets itself as a nostalgic ’80s family adventure with a prehistoric twist — but underneath the dinosaur carnage is something considerably colder and more personal. In this review, 818 Lens breaks down how Mitchell subverts the Amblin formula he’s clearly indebted to, unpacks the mid-film gut-punch that…
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Masters of the Universe Review: A Surprisingly Thoughtful Reimagining of He-Man and Masculinity
Travis Knight’s Masters of the Universe reimagines He-Man for a modern audience through themes of identity, masculinity, and self-discovery. While its lengthy runtime and franchise-building ambitions occasionally work against it, strong performances from Nicholas Galitzine and Jared Leto help establish a promising foundation for the future of the beloved franchise.
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Boots Riley Is Back — and I Love Boosters Might Be His Best Film Yet
Nearly eight years after Sorry to Bother You, Boots Riley returns with a surrealist heist comedy that smuggles Marxist theory inside one of the most visually electric films of the year. Keke Palmer leads. Demi Moore villains. The fashion is immaculate. The politics are sharper.
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Backrooms Review: Kane Pixels Brings the Internet’s Most Unsettling Universe to the Big Screen
At just 20 years old, Kane Parsons — known online as Kane Pixels — has delivered one of the most anticipated horror films of 2026, and A24’s biggest opening weekend in the studio’s history. Backrooms, the feature film adaptation of Parsons’ viral YouTube series, arrives with the weight of enormous expectation and an internet fandom…
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The Bride! Review: Maggie Gyllenhaal’s Radical Frankenstein Reimagining Turns Female Rage Into Gothic Spectacle
Maggie Gyllenhaal’s The Bride! is one of the most divisive genre films of the year. Led by a fearless performance from Jessie Buckley and an unexpectedly tender turn from Christian Bale, the film reimagines the Frankenstein myth through feminist rebellion, surreal spectacle, and gothic visual poetry.
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Redux Redux Review: A Multiverse Thriller About Grief, Revenge, and the Illusion of Control
In Redux Redux, directors Kevin and Matthew McManus strip the multiverse thriller down to its emotional core. What begins as a time-travel revenge story quickly transforms into an unflinching character study about grief, obsession, and the illusion of control. Michaela McManus delivers a gripping lead performance as Irene Kelly, a mother who uses a mysterious…
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Georgina Campbell’s 2026 Horror Double Feature: Psycho Killer & Cold Storage Review
In just weeks, Georgina Campbell headlines two 2026 horror releases — the brooding slasher Psycho Killer and the zany sci-fi creature feature Cold Storage. While neither film reinvents the genre, both showcase Campbell’s growing presence as one of horror’s most reliable modern leads. Here’s my full review of both films.
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Top 30 Films of 2025: A Year Defined by Risk, Reckoning, and Reinvention
A personal ranking of the 30 films that defined my 2025 — shaped by risk-taking, reinvention, and moral reckoning. From intimate character studies to bold genre experiments, these are the films that lingered, challenged expectations, and revealed where cinema felt most alive this year.
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The Year of Relationships: 2025 Movies That Get Love Right (and Wrong)
Where do we, as a society, currently stand when it comes to relationships? Dating? Commitment? The landscape has shifted so dramatically that it sometimes feels like we’re living in an entirely new emotional era. The openness of relationships has expanded far beyond where it once was—breaking away from antiquated, traditional notions and allowing people to…
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Arco Is a Future You Want to Get Lost In — Here’s Why
Release Date: limited U.S. release November 14, 2025 (Neon) Runtime: 89 minutes (1h 29m) Rated: PG Production Companies: Remembers, MountainA, France 3 Cinéma, Fit Via Vi Film Productions, Sons of Rigor Producers: Félix de Givry, Sophie Mas, Natalie Portman, Ugo (Ugo/Ugo Bienvenu) Bienvenu (producer credits) Animation/Visual leads: Adam Sillard (animation lead) and Fabio Besse (production design)…