Tag: Stephen King

• The Best Horror Films of 2025 (So Far): From 28 Years Later to The Long Walk

  

  2025 has been an incredible year for horror, and I wanted to take a moment to highlight the films that are keeping the theatrical experience alive. While plenty of other blockbusters have carried their weight at the box office, I’d argue horror deserves its own recognition. As anyone in the fandom knows, it’s one of…

  Rolando Illanes Jr.

  October 2, 2025

  2025 Movie Reviews, Drama, Entertainment, Film Reviews, Horror, Independent Film, Movie Analysis, Psychological Drama, Thriller

  2025 Films, 2025 Movies, 28 Years Later, A24, A24 Horror, A24 Movies, Aaron Taylor-Johnson, Adam Stein, Alex Garland, Alfie Williams, Alison Brie, Amy Madigan, Book to Film Adaptation, Bring Her Back, Bring Her Back 2025, Companion, Cooper Hoffman, Danny Boyle, Danny Phillippou, Dave Franco, David Jonsson, Drew Hancock, Dystopian Films, Film Analysis, Film Criticism, Film Critique, Film Recommendations, Film Review, Film Reviews, Final Destination, Final Destination Kills, Final Destination: Bloodlines, Francis Lawrence, Hailee Steinfeld, Horror, Horror Cinema, Horror Films, Horror Franchise, Horror Movie Review, Horror Movie Reviews, Horror Movies 2025, horror nostalgia, Horror reviews, Horror Sequels, Independent Cinema, Independent Film, Independent Horror, Indie Directors, Indie Film, Indie Films, Indie Horror, Jack O’ Connell, Jack Quaid, Jodie Comer, Josh Brolin, Julia Garner, Lionsgate Films, Michael B. Jordan, Michael Phillippou, Michael Shanks, Miles Caton, Modern Horror, Movie Analysis, Movie Recap, Movie Recommendations, Movie Review, Movie Reviews, Movie Sequels, Movie Themes, Movie Thoughts, New Horror Films, New Movie Releases 2025, Post-Apocalyptic Films, Psychological Horror, Ralph Fiennes, Robots in Movies, Ryan Coogler, Sally Hawkins, Sinners, Sophie Thatcher, Stephen King, summer horror movies, Supernatural Horror, The Long Walk, The Long Walk 2025, Together 2025, Tony Todd, Warner Bros., Warner Bros. Pictures, Weapons 2025, Weapons Review, Zach Cregger, Zach Lipovsky

• The Long Walk Review: Francis Lawrence Turns Stephen King’s Dystopia Into Brutal Spectacle

  

  Release Date: September 12, 2025 (USA) Runtime: 108 minutes (1h 48min) Rated: R for strong bloody violence, grisly images, suicide, pervasive language, sexual references Production Companies: Vertigo Entertainment Producers: Roy Lee, Steven Schneider, Francis Lawrence, Cameron MacConomy Cinematography: Jo Willems Editing: Mark Yoshikawa Music / Composer: Jeremiah Fraites The Long Walk (2025) Director: Francis Lawrence Writer(s):…

  Rolando Illanes Jr.

  September 19, 2025

  2025 Movie Reviews, Drama, Entertainment, Film Reviews, Horror, Psychological Drama, Sci-Fi, Thriller

  2025 Films, 2025 Movies, Book to Film Adaptation, Book-to-film adaptation, Cooper Hoffman, David Jonsson, Dystopian Films, Dystopian films 2025, Film Analysis, Film Criticism, Film Critique, Film Recommendations, Film Review, Film Reviews, Francis Lawrence, Mark Hamill, Movie Analysis, Movie Recap, Movie Recommendations, Movie Review, Movie Reviews, Movie Themes, Movie Thoughts, New Movie Releases 2025, Sci-Fi Movies, Stephen King, Stephen King Adaptation, The Long Walk, The Long Walk 2025

• Trauma, Terror & Toy Monkeys: How Osgood Perkins Twists Fear on Screen

  

  Longlegs A (Re-)Examination of Osgood Perkins’ Hit of 2024 Directed by Osgood Perkins Starring: Maika Monroe and Nicholas Cage Osgood Perkins made a name for himself in 2024 with his investigative psychological horror film, Longlegs, and aims to expand his reputation with his new film, The Monkey, set to release on February 21, 2025.Longlegs became…

  Rolando Illanes Jr.

  February 14, 2025

  2025 Movie Reviews, Entertainment, Film Reviews, Horror

  2025 Movies, Film Review, Film Reviews, Horror Movies 2024, Horror Movies 2025, Independent Horror, Longlegs, Maika Monroe, Movie Review, Neon, New Movie Releases 2025, Nicholas Cage, Osgood Perkins, Psychological Horror, Stephen King, Tatiana Maslany, The Monkey, Theo James