Category: Entertainment
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Eddington Review: Ari Aster’s Dark Satire of Pandemic America

Release Date: July 18, 2025 (U.S.) Runtime: 2 h 28 m (148 min) Rating: R Production Companies: A24, IPR.VC, 828 Productions, Square Peg Producers: Ari Aster, Lars Knudsen (+ exec. producers Alejandro De Leon, Robert Dean, Harrison Huffman, Todd Lundbohm, Andrea Scarso) Cinematography: Darius Khondji Music / Composers: Bobby Krlic (aka The Haxan Cloak) and Daniel Pemberton Eddington (2025)…
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Materialists Review: Celine Song’s Deceptive Rom-Com That Dares to Get Real About Love, Money, and Power

Release Date: June 13, 2025 (U.S.) Runtime: 117 minutes (1h 57m) Rating: R (language & brief sexual material) Production Companies: 2AM, Killer Films, A24 (domestic), Sony Pictures International Producers: David Hinojosa, Christine Vachon, Pamela Koffler, Celine Song Cinematography: Shabier Kirchner (shot on 35 mm film) Music / Composer: Daniel Pemberton; also features Japanese Breakfast and Baby Rose…
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Elio and the Cost of Playing It Safe: What Pixar’s Box Office Flop Says About “Woke Goes Broke”

Release Date: Premiere June 10, 2025; US wide release June 20, 2025 Runtime: 98 min (1h 38m) Rating: PG for thematic elements, some action/peril Production Companies: Pixar Animation Studios, Walt Disney Pictures Producers: Mary Alice Drumm, Pete Docter, Lindsey Collins Cinematography: Derek Williams and Jordan Rempel Music: Rob Simonsen Elio (2025) Directors: Domee Shi & Madeline Sharafian, Adrian Molina (credited though he exited prior to completion)…
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James Gunn’s Superman (2025): A Hopeful Reboot Rooted in Immigration, Morality, and Heart

Release Date: Premiere July 7, 2025; US wide release July 11, 2025 Runtime: 129 min (2h 9m) Rating: PG-13 (sequences of sci-fi violence, brief strong language, and thematic elements) Production Companies: DC Studios, Troll Court Entertainment, The Safran Company Producers: James Gunn & Peter Safran Cinematography: Henry Braham Music: John Murphy & David Fleming Superman (2025) Director: James Gunn…
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Review: Eva Victor’s Sorry Baby Is a Quiet Triumph of Life After Trauma

Eva Victor’s Sorry Baby is a stunning debut about the messy aftermath of trauma, the beauty in small moments, and the quiet resilience of friendship. With wit, warmth, and restraint, Victor crafts a story that lingers—delicate, disjointed, and real. A haunting, unforgettable “traumedy” that understands healing isn’t always linear.
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28 Years Later Review: Growing Up in the Apocalypse

28 Years Later is a gripping, emotionally raw return to Danny Boyle’s infected world—part zombie thriller, part coming-of-age odyssey. With a breakout performance by Alfie Williams and a surreal final act that stirs controversy, this haunting sequel explores grief, legacy, and survival in a world that refuses to forget.
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Final Destination: Bloodlines — A Bloody Rebirth of Death’s Design (And Ranking Every Kill That Made Us Gasp)

Final Destination: Bloodlines revives the franchise with inventive kills, emotional resonance, and a chilling send-off for Tony Todd’s iconic character. Balancing gnarly visuals with themes of fate and generational trauma, this requel honors the original while carving out new ground. A sharp, symbolic return that doesn’t cheat death.
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The Last of Us Season 2, Episodes 4–5: Love, Loss, and the Spiral of Vengeance

In “The Last of Us” Season 2, Episodes 4 and 5, Ellie and Dina navigate grief and revenge after Joel’s death, contrasted by moral complexities within the WLF and the emerging threat of the Seraphites. The episodes delve deep into themes of sacrifice, love, vengeance, and humanity’s struggle for survival in a brutal world.


